Mar 022021
 

UPDATE 06/06/22

No HM4, Sorry Folks

https://patreon.com/hm4

 

It’s official, Carey is going to work on HM$ and you can follow along, play test (eventually) and add your input via Patreon and an official HM4 Discord Channel. He’s only asking for $3 or $8 a month, though you can do more if you wish. 

Click the link for more info! Also, you might want to check out the official message board as well, I have a feeling it is going to become active as well. 

 

Mar 232017
 


I’ve not written about it on this blog yet, but Moby is making a comic book called Dr. Fizz

Now, I am not writing the script or doing the art…or the colors…but I do get to pay for it. Yay! Seriously though, we have the first four pages done and things are moving ahead.

Dr. Fizz Page One Progression From Pencils to Inks to Colors. Art by Rick Alves, Colors by Rodrigo Charles

Continue reading »

Mar 292015
 

gnome (nōm) n.

A pithy saying that expresses a general truth or fundamental principle; an aphorism.


Gnome #2:

People generally don’t like movies with birds in them.

(Gnome #2.5: Pterodactyls count as birds. Perhaps penguins.)


gnomeIt’s true. I don’t claim to understand it entirely, but throw a few birds into the plot of a movie and suddenly it’s Q Score goes through the floor. 

Perhaps the most infamous of them all…Alfred Hitchcock’s The Birds. A lot of people will tell you that The Birds was a classic and is their favorite movie of all time. They’re lying. Continue reading »

Mar 272015
 

I keep referring to ‘The Glut’ that occurred in the B&W comic book markets in the late ’80s, and came across this great series of re-posts from the Comics Journal. Of course, I cannot re-post the whole thing, but here is the pertinent page from the article, one that explains it all perfectly.

I highly suggest anyone trying to understand just how the heck the comic book industry destroyed itself once upon a time read the whole thing over at The Comics Journal; http://classic.tcj.com/history/a-comics-journal-history-of-the-direct-market-part-two/


From A Comics Journal History of the Direct Market, Part Two by .

Black and White and Dead All Over

(Originally published in The Comics Journal #116, July 1987; reprinted in The Comics Journal #277, July 2006.

Page 2:

The bloom was off the rose in December [1986] or, if you were slow about it, January of last year [1987]. What rose, you ask? The most sacred and cherished rose in America: the belief that the American public will consume limitless quantities of useless garbage.

This idea ran afoul of a very basic economic reality: you cannot shovel shit into a finite market forever. The profiteers who jumped on the black-and-white comics-publishing bandwagon within the last year learned this when the black-and-white comics market collapsed. (The ripple was felt in the market for color comics and other formats, too.) From December through April at least, publishers have reported a drop in sales from 15 to 50 percent across the board. (That means even comics you may have thought were rock-solid have suffered.) The sales of some black-and-white comics may have plummeted even more dramatically over the four or five month period. The cause of the glut and subsequent collapse was partly greed and partly passivity on the part of “publishers,” distributors and retailers. One must wonder why, with all the breast-beating of the distributors and the ballyhooing of the innumerable trade shows held all year, there wasn’t a single mechanism within the entire infrastructure of the direct-sales system that could have foreseen or mitigated the disastrous economic collapse. Part of the explanation is that the infrastructure’s primary purpose is to create a self-perpetuating consumer frenzy at the expense of any responsible or even sane sense of proportion.

The crash began as a boom and the boom was in black-and-white comics. You would’ve had to have been particularly inept to publish black-and-white comics in 1986 and fail. As nearly as I can piece it together, this is what happened: Continue reading »

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